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韩寒:所谓文化大国(含视频、中文版、English Version)
爱吃辣椒的兔子 2010年3月20日 22:36:42

English Version is attached below

大家好。

第二次来到厦门,然后这里的空气很好,难怪大家都喜欢散步。

刚才我听邓老师说了一些关于爱国主义的东西,然后我想到了两句话,是之前看到的,那是别人说的不是我说的。第一句话是“爱国主义是流氓最后的庇护所。”第二句话是“真正的爱国主义就是要保护这个国家,让这个国家不受到任何迫害。”

然后今天我也准备了一些说的内容,我带了一个稿纸。这是为了约束我自己,免得到时候大家受到什么迫害,我怕我满嘴跑火车。

开始了。

各位领导,各位老师,各位同学:

大家好。

大家知道中国为什么一直成不了一个文化大国吗?因为在我们大部分的讲话的时候,“各位领导”永远是放在第一位的,而各位领导都是没有文化的。不光光是这样,他们还是惧怕文化的、是审查文化的,但是呢他们能够控制文化。所以说这个国家怎么能够成为文化大国呢?各位领导你们说呢?

其实中国是有成为一个文化大国的潜力的,我给大家讲一个故事。我要主编一本杂志到现在都没有出版。然后呢宪法上有规定,每个公民都拥有出版的自由。但是呢我们的王法又有规定,就是呢领导有不让你出版的自由。这个杂志在很多地方在审查上遇到了一些问题:里面有一幅漫画,漫画里是张图,主人公是个男的,他没有穿衣服——当然这是不可以的嘛,因为相关的法律法规规定我们不能露出那个阴 部在公开的杂志上——但这个我认可,我觉得没有问题。所以我特地把那个杂志特别大的一个logo把它放在不合法的那个部位。突然之间就是出版社和审查人员告诉我们这个不可以,你把这个人的中间这个地方挡住了,这个是在暗喻“党中央”。我的反应和大家一样——我被雷到了。我当时脑子里就在想,朋友,把你这个惊天地泣鬼神的想象力放在文艺创作上而不是文艺审查上那该有多好。

通过这个故事我想告诉大家其实大家都是很有想象力的。当然想多事情我们只能想,我们不能去做、 不能写,甚至很多场合不能说。我们的限制太多了,这是一个限制级的国家。在限制级的国家里怎么可能产生非常丰富的文化呢?我已经算是一个自我限制很少的同志了,但是在我落笔的时候我就会情不自禁地想这个警察不能写、领导不能写、政策不能写、制度不能写、司法不能写、很多历史不能写、西藏不能写、新疆不能写、集会不能写、流行不能写、黄色不能写、封杀不能写、艺术不能写——而高雅我又写不出。我真的写不出那么高雅的东西,我又不是余秋雨。

在网络上发表的一些文章尺度已经比较大了。很多写剧本的朋友,我知道一些写剧本的朋友,像类似宁财神啊写一些话剧,还有一些电影剧本电视剧(的作者),他们非常地痛苦。在这样的一个文化环境 下,我一直在想,如何成为一个文化大国?除非全世界只剩下中国、朝鲜还有阿富汗。朝鲜是文化禁地,大家都知道;阿富汗是因为国内的局势还搞不清楚,他们还顾不上文化。但纵然这样,他们都已经有作家写出了《追风筝的人》,当然比较遗憾的是这也不是在阿富汗出版的。我想一旦阿富汗搞清楚了也不是没有可能超过中国。

我们所谓的在国际交流上不能再拿那些四大名著和和孔孟之道,我们知道的,这个就像相亲的时候女方问你有没有钱,你说我的祖宗十八辈很有钱。没用的。这个悲剧的造成和大家没有任何的关系。虽然说通往朝鲜的道路是由每一个沉默的人铺就的。但是一方面我们当然要比朝鲜强很很多,因为大家知道朝鲜是什么样子的。另外一方面呢我相信在座的大家,其实很多人并不沉默——大家只是被和谐了而已。在中国的扫黄史上,可能很多同学——我想大家都知道——毕竟是大学生了——虽然现在的教材上已经没有这些内容了,就是邓丽君和刘文正都是黄色、下流、淫秽的。但是因为听的人多了,他们就变成 了黄色、下流,他们就不淫秽了。但是呢到最后全国人民都在听,所以他们就即不黄色,也不下流了。

如果我们都能够来反对文化的审查,让我们的屏蔽词里除了反人类的词外不再有其他的词汇,那我们才有可能去创造出一个文化的大国。哪怕在这个过程当中你我的名字都会进入这个屏蔽词库,但是我相信一个屏蔽词库是有它的最大的载重量的——每一个新增加的词汇都是在加速他的灭亡。

所以我希望我们的新闻媒体的从业者、我们的学生老师、每一个文化的从业者、爱好者,包括每一个版 主啊,可以努力让我们的屏蔽和审查越来越少。我们的领导们——注意这个领导和大家是分开的——我 们的领导们、我们的政府,可以有足够的自信让文化更加地开放。我知道我们的领导很喜欢向国外输 出我们的文化,觉得这个是一个强国的象征,但是你现有的文化我觉得实在是输不出去的。我们在创作作品的时候每一个作者,每一个从业人员,他们在时刻进行着自我的审查。在这样的一个创作环境下,我觉得怎么能产生像样的文化作品呢?在全世界范围内,你把所有的作品阉割得像新闻联播一样 给外国人看,企图输出中国的文化,你当外国人是外星人啊?我觉得中国是不是真正地在经济上崛起了这个要等我们的房地产业崩盘了以后再谈,现在一切都不好说。但是如果一个国家在文化上真正地 崛起了,那它真是一定是个强国,而且我想应该永远不会有崩盘的危险。

最后说回到我们的屏蔽词库——一个屏蔽词库里面的词越是多,这个国家的文化可能就会越是弱。但我 们的政府会给你很多的解释,他们会告诉你我们这么做是为了保护青少年,是为了社会的稳定。文化 是自由的,所以他们有权屏蔽任何危害青少年、破坏社会稳定的资讯和文化。但是如果你认同了,迟早 有一天你会发现,你在控诉你的遭遇的时候,他们会将你屏蔽,罪名是破坏社会的稳定。到最后凡是不利于统治阶层的,不利于他们获得利益的言论都是破坏社会的稳定,都是危害青少年。如果我们当时容忍了绿坝花季护航,很快我们就会看到绿坝花甲护航。到那时我们就不光光是看到文化的濒死了。 所以同学们,我们不能让这一天的到来。否则在以后,在若干年的以后,在你的孙子的通过卫星接收到的电子课本的历史书上,我们都会是笑料。

谢谢大家。

Han Han: The So-called Grand Cultural Nation

This is my second time in Xiamen. The weather here is great. No wonder people like to go outside and stroll.

Hmmm ... I just heard Teacher Deng spoke about certain issues on nationalism. I was reminded of a couple of sayings which I came across them previously. They are other people's words, not mine. The first saying is, "Nationalism is the last refuge of scoundrels." The second sentence is, "True patriotism is to protect this country so that it will not suffer any harm."

For today's talk, I have brought along a written speech in order to constrain myself. Mainly, I don't want you to suffer any harm because I may stray all over the place.

Let me begin.

Dear leaders, dear teachers, dear students, how are you? Do you know why China cannot become a grand cultural nation? It is because most of the time when we speak, we put "Dear leaders" first and those leaders are uncultured. Not only that, for they are also afraid of culture, they censor culture and they control culture. So how can such a nation become a grand cultural nation? Dear leaders, what do you say?

Actually, China has the potential to become a grand cultural nation. Let me tell you a story. I am the chief editor of a magazine which has yet to be published. The Constitution states that every citizen has the freedom to publish, but the law also says that the leaders has the freedom not to let you publish. This magazine encountered certain problems during the review process. There is a cartoon drawing. In it, there is a man without clothes -- of course, this is unacceptable because the law says that we cannot exhibit the private parts in a publicly available magazine. I agree with that and I don't have a problem with it. Therefore, I intentionally created an extra-large magazine logo to place at the illegal spot of the cartoon. But unexpectedly, the publisher and the censor told us that this was unacceptable too -- when you cover up the middle part of a person, you are referring to the "Party Central" (note: "party" is a homonym for "block/shield" and "central" can mean either "center" or "middle"). My reaction was like yours -- I was awed and shocked. I thought to myself, "Friend, it would be so wonderful if you could put your awe-inspiring imagination into literary creation instead of literary censorship." I use this story to tell you that everybody has good imagination.

Yet we can only imagine many things but we cannot do them, we cannot write about them and we cannot even talk about them in many situations. We have too many restrictions. This is a restricted country. How can a restricted country produce a rich and abundant culture? I am a comrade who has few restrictions. But when I write, I cannot help but think: I can't write about the police, I can't write about the leaders, I can't write about government policies, I can't write about the system, I can't write about the judiciary, I can't write about many pieces of history, I cannot write about Tibet, I cannot write about Xinjiang, I cannot write about assemblies, I cannot write about demonstration marches, I cannot write about pornography, I cannot write about censorship, I cannot write about art. I am unable to write anything elegant. I am really incapable of writing anything elegant because I am not Yu Qiuyu.

Internet essays have more room. Many friends who write scripts. I know some friends who write scripts (such as Ning Caishen's theatre scripts) and others who write movie scripts. They suffer a lot. Under such a cultural environment, I wonder how can China be a grand cultural nation. Maybe if the world is reduced down to China, North Korea and Afghanistan. Everybody knows that culture is out of bounds in North Korea. In Afghanistan, the situation with the nation is still unclear so they can't be bothered with culture for now. Even so, they have a writer who wrote The Kite Runner, which unfortunately was not published in Afghanistan. I think that once Afghanistan sorts itself out, it may possibly surpass China.

In our so-called international exchanges, we cannot keep bringing out the Four Great Works or the sayings of Confucius and Mencius. We know that this is like a conversation during a marriage interview. The girl's side asks you if you are rich and you reply that your ancestors eighteen generations ago were very rich. That won't help you now.

We did not cause this tragedy, even though it is said that the road to North Korea is paved by the silence of everybody. On one hand, we are better than North Korea because we know what it is like there. On the other hand, I think that many of you present today are not silent -- it is just that we are being harmonized. In the history of the war against pornography in China, many fellow students are aware (even though these facts have been disappeared from the teaching materials) that Teresa Deng and Liu Wenzheng were pornographic, vulgar and indecent once up a time. When too many people listened to them sing, they became pornographic, vulgar and indecent. But when every Chinese person listened to them sing, they were no longer pornographic, vulgar or indecent anymore. If we all oppose cultural censorship so that the the only words left in the database of banned words are anti-human ones, we can create a grand cultural nation. It does not matter if my name or yours get added into the database. I believe that the database has a maximum capacity and every additional word will accelerate its destruction.

I hope that our news media workers, our students, our teachers, our cultural workers and our cultural lovers,including every Internet forum host here, will try our best to reduce the censorship, and our leaders (who are not the same as our parents) and our government may have sufficient self- confidence to become more open. I know that our leaders like to export our culture because this is a sign of a strong nation. But I feel that our present culture is not exportable. In this creative environment, all writers/workers are constantly censoring themselves. How can any respectable work be produced in this environment? Around the world, you attempt to export Chinese culture by offering works that have been castrated like CCTV news program to foreigners. Do you think these foreigners are aliens from outer space? On the issue of whether China has truly risen up economically, I think we should wait until the real estate industry collapses because we cannot tell right now. But if a nation truly rises up culturally, it will be a strong nation and it will never have any fear of collapsing.

Finally, I want to return to the database of banned words. The more words are in that database, the weaker the culture of that nation will be. But our government gives you plenty of explanations. They tell you that this is being done to protect young people and to maintain social stability. Culture is free, so they have the right to censor any information or culture that may endanger young people or destroy social stability. But if you agree with that, then sooner or later that when you complain about what happened to you one day, they will censor you because you are destroying social stability. Any opinion that is disadvantageous to the ruling class or their interests destroys social stability and endangers young people. If we had put up with the Green Dam for youngers software back then, we would have Green Dam for elders operating now. When that time comes, we will not just be looking at the demise of culture. So fellow students, we cannot let this day arrive. Otherwise, we will be the laughing stock in the electronic history books that our grandchildren will receive via satellite many years from now.

Thank you, everybody.        



2楼 2010年3月31日 23:18:14 米娅

一直想把让一位美国网友了解一下韩寒 -- 我视他为中国的骄傲,上次我自己给这位网友简单讲了韩寒那篇《我只是在猜想》,不知是因为我英语水平太低,还是对方太蠢,这位网友不仅没体会到作者的幽默,反而来了一句,don't be afraid, God will piss off Chinese。

这篇带英语译文,今天推荐给这位网友,下面摘录几句他的评价

His speech is very good... ... I like his thinking and his words... ...I can understand why (he is so popular). 

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